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Get Good Scripts, Bad Scripts: Learning the Craft of PDF

By Tom Pope

ISBN-10: 0609801198

ISBN-13: 9780609801192

During this targeted quantity, revered screenwriter Thomas Pope bargains an leading edge and functional method of instructing the craft of screenplay writing, within the procedure delivering an attractive, behind-the-scenes examine the way in which the movie relatively works. each one bankruptcy bargains with a unique component to the paintings of screenwriting, from personality improvement, to the nurturing of subplots, to the basics of fine discussion, illustrating every little thing throughout the virtues or errors of a specific movie. The booklet encompasses the simplest and worst of flicks during the years, together with Citizen Kane, Pulp Fiction, Chinatown, making a song within the Rain, Bonfire of the Vanities, and so forth. With its trenchant research and prepared perception into the explanations movies prevail or fail, strong Scripts, undesirable Scripts is not just a useful consultant for strength screenwriters, yet a wealthy source for any pupil drawn to movie and movie heritage.

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Extra resources for Good Scripts, Bad Scripts: Learning the Craft of Screenwriting Through 25 of the Best and Worst Films in Hi story

Example text

Now you see him, now you don't. Morgan's taking over the ship is also a puzzle. The fact that there's no challenge from anyone is particularly curious, considering that Scully will later on become a traitor. Why does the crew trust Morgan to captain a ship? What job experience does she have? Why isn't there a scene where she mourns the death of her father? As for Shaw, if Morgan buys him because he speaks Latin, then why have it that the map was written not in Latin, but backward? Why, in other words, throw out the one reason that justifies Shaw's presence in the movie?

Comden and Green spent a confused month fruitlessly trying to decide which of these three beginnings to use. As Betty Comden tells it, she was sitting at home telling her husband how she was stuck when he gave her the advice that has since served every screenwriting student in good stead: When in doubt, combine. They tried it and began the film with a gossip columnist at a Hollywood premiere interviewing a movie actor who's about to make the jump into the unknown waters of the talkies. Once the brilliant decision was made to combine three scenes into one, the rest of the writing went quickly.

12 and T) 18 INHERIT THE WIND • The trial, part one: Howard testifies. (O) Rachel testifies. (P) Bert won't let Drummond cross-examine. (13) Drummond's scientists are rejected. (Q) Drummond withdraws from the case and is held in contempt. (14) • Mob demonstration against Bert. (15) • Brady tells Sarah he can control the mob. (16) • Brady is led off: "Baby, Baby . . " (S) • Drummond tells Hornbeck he needs a miracle. (17) ACT T H R E E • The trial, part two: Drummond apologizes to the judge. (18) Drummond calls Brady to the stand; Brady's testimony is the same as in the play.

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Good Scripts, Bad Scripts: Learning the Craft of Screenwriting Through 25 of the Best and Worst Films in Hi story by Tom Pope

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