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New PDF release: A Companion to Martin Scorsese

By Aaron Baker

ISBN-10: 1444338617

ISBN-13: 9781444338614

A better half to Martin Scorsese is a complete selection of unique essays assessing the profession of 1 of America’s so much favorite modern filmmakers.

  • Contains contributions from in demand students in North the USA and Europe that use a number of analytic approaches
  • Offers clean interpretations of a few of Scorsese’s so much influential motion pictures, together with Mean Streets, Taxi Driver, Raging Bull, Goodfellas, Gangs of latest York, and Hugo
  • Considers Scorsese's position in the heritage of yankee and global cinema; his paintings with regards to auteur thought; using renowned tune and diverse subject matters akin to violence, ethnicity, faith, sexuality, gender, and race in his movies, and more

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Extra resources for A Companion to Martin Scorsese

Example text

This chapter aims to both give an overview of Scorsese’s vast and impressive work as well as offer a review and critique of the critical literature on Scorsese to this point. Scorsese was born in November 1942 in New York’s Little Italy, and his Italian-Catholic identity has been emphasized in numerous studies. As a child, he suffered from asthma, which prevented him from physical activity and led to his love of cinema. This biographical detail does contextualize Scorsese, but from a very personal perspective.

This series would have been inconceivable without the influence of auteurists like Sarris, and the selections greatly reflected the overturn in critical taste Sarris promoted (all but Wellman were highly regarded by Sarris in his rankings). For Schickel, these classical filmmakers offered aesthetic experiences not on display in Mean Streets, and they grounded their personality in their formal style rather than their social milieu. Despite the mainstreaming of the text, Mean Streets remained too grounded in sociology for many auteurists.

How Scorsese Became Scorsese 33 Most of the artistic debates of the last couple of decades have centered on this divide, with the use of pastiche as the key dividing point. With the widespread critical and commercial success of Pulp Fiction (Quentin Tarantino, 1994), this postmodernist pastiche reached the mainstream of film journalism. In terms of its impact, Pulp Fiction has much in common with GoodFellas, despite the much greater box-office success of the former. Pulp Fiction was very popular with mainstream critics, and quickly became one of the most canonized films of the decade.

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A Companion to Martin Scorsese by Aaron Baker


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