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Anikó Imre's A Companion to Eastern European Cinemas PDF

By Anikó Imre

ISBN-10: 1444337254

ISBN-13: 9781444337259

A better half to jap eu Cinemas showcases twenty-five essays written by way of confirmed and rising movie students that hint the historical past of jap eu cinemas and provide an up to date evaluate of post-socialist movie cultures.

  • Showcases serious historic paintings and updated exams of post-socialist movie cultures
  • Features attention of lesser recognized parts of analysis, comparable to Albanian and Baltic cinemas, renowned style motion pictures, cross-national distribution and aesthetics, animation and documentary
  • Places the cinemas of the area in a ecu and international context
  • Resists the chilly warfare category of jap ecu cinemas as “other” paintings cinemas through reconnecting them with the most movement of movie studies
  • Includes dialogue of such motion pictures as Taxidermia, El Perro Negro, 12:08 East of Bucharest giant Tõll, and Breakfast at the Grass and explores the paintings of administrators together with Tamás Almási, Walerian Borowczyk, Roman Polanski, Jerzy Skolimowski, Andrzej ?u?awski, and Karel Vachek among many others

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Extra resources for A Companion to Eastern European Cinemas

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One day, faced as usual with Kálmán’s bitter recriminations, Lajos angrily storms out, neglecting to lock the cats’ cage. When he next returns he finds a new tableau of body horror, an obscene spectacle of excess. Kálmán lies dead, his belly burst open. His bloody entrails extend in a trail outwards from his body; they are strewn across the floor like so many sausages. Maybe his bowels exploded from the stress of junk food overload, or maybe the hungry cats attacked him. In any case, the animals have eaten parts of his body.

2011) Vampire branding: Romania’s dark destinations, in Branding Post-Communist Nations: Marketizing National Identities in the New Europe (ed. N, Kaneva). Routledge, London. Jameson, F. (2004) Thoughts on Balkan cinema, in Subtitles: On the Foreignness of Film (ed. A. Egoyan and I. Balfour). The MIT Press, London, pp. 231–258. Korek, J. (2007) Central and Eastern Europe from a postcolonial perspective (ed. J. Korek), Postcolonial Europe, 32. php/en/essays/60--centraland-eastern-europe-from-a-postcolonial-perspective (accessed January 25, 2012).

A theoretical concern with new concepts and experiences of time and space has also emerged in the cinemas of the region as well as in critical approaches to these cinemas. Spatial mapping is a central thread in Eva Näripea’s assessment of the transnational features of Estonian cinema, while Ioana Uricaru points to a thematic preoccupation with time scales as a unifying feature of the New Romanian Wave. This is also an important thematic issue in Albanian cinema, which Bruce Williams introduces in Chapter 12 in one of the first thorough historical overviews of this small nation’s barely known cinema.

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A Companion to Eastern European Cinemas by Anikó Imre

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